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        <identifier>oai:jissen.repo.nii.ac.jp:00000995</identifier>
        <datestamp>2023-05-15T23:07:22Z</datestamp>
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          <dc:title>ビジュアルの世界に : 複製技術時代の現実感</dc:title>
          <dc:title xml:lang="en">Towards a Visual World : Realities in the Age of Medial Reproduction</dc:title>
          <jpcoar:creator>
            <jpcoar:creatorName>犬塚, 潤一郎</jpcoar:creatorName>
          </jpcoar:creator>
          <jpcoar:creator>
            <jpcoar:creatorName>イヌツカ, ジュンイチロウ</jpcoar:creatorName>
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          <jpcoar:creator>
            <jpcoar:creatorName xml:lang="en">INUTSUKA, Jun-ichiro</jpcoar:creatorName>
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          <jpcoar:subject subjectScheme="Other">メディア学</jpcoar:subject>
          <jpcoar:subject subjectScheme="Other">ベンヤミン</jpcoar:subject>
          <jpcoar:subject subjectScheme="Other">オーギュスタン・ベルク</jpcoar:subject>
          <jpcoar:subject subjectScheme="Other">風土学</jpcoar:subject>
          <jpcoar:subject subjectScheme="Other">複製技術</jpcoar:subject>
          <jpcoar:subject subjectScheme="Other">写真</jpcoar:subject>
          <jpcoar:subject xml:lang="en" subjectScheme="Other">Mediology</jpcoar:subject>
          <jpcoar:subject xml:lang="en" subjectScheme="Other">Benjamin</jpcoar:subject>
          <jpcoar:subject xml:lang="en" subjectScheme="Other">Augustin Berque</jpcoar:subject>
          <jpcoar:subject xml:lang="en" subjectScheme="Other">Mesology</jpcoar:subject>
          <jpcoar:subject xml:lang="en" subjectScheme="Other">Media art, reproduction</jpcoar:subject>
          <jpcoar:subject xml:lang="en" subjectScheme="Other">photography</jpcoar:subject>
          <datacite:description descriptionType="Other">P(論文)</datacite:description>
          <datacite:description descriptionType="Other">How have we received "actual feeling" from the images which we see in our media-society? There is more what we see through media than that with which we actually meet. Media technology fills society with signs through reproducing a sign from a sign. For this mediological inquiry, I refer to Benjamin's "The Work of Art in the Age of Mechanical Reproduction", comparing to other essays on photography as Barthes' and Sontag's, with the conceptual framework from Augustin Berque's mesological approach, which distinguishes three levels for the world; the earth, biosphere, and a level of milieu, and Jakobson's linguistic model of the sifter.</datacite:description>
          <datacite:date dateType="Issued">2008-04</datacite:date>
          <dc:language>jpn</dc:language>
          <dc:type rdf:resource="http://purl.org/coar/resource_type/c_6501">departmental bulletin paper</dc:type>
          <jpcoar:identifier identifierType="URI">https://jissen.repo.nii.ac.jp/records/995</jpcoar:identifier>
          <jpcoar:sourceIdentifier identifierType="NCID">AN10494731</jpcoar:sourceIdentifier>
          <jpcoar:sourceTitle>実践女子大学生活科学部紀要</jpcoar:sourceTitle>
          <jpcoar:volume>45</jpcoar:volume>
          <jpcoar:pageStart>21</jpcoar:pageStart>
          <jpcoar:pageEnd>39</jpcoar:pageEnd>
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            <datacite:date dateType="Available">2008-04-01</datacite:date>
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